2014 The Mother Hood

Drawings in consideration of becoming a mother.

A Fluttering in my Tummy, gel pen on paper, 210 × 297 mm

The Mother Hood. Pen on paper, 210 × 297 mm

Umbilical Slippers, gel pen on paper, 210 × 297 mm

The Push and Pull, Pen on paper, 210 × 297 mm

Root Chakra, colour pencil on paper, 297 × 420 mm

Baby Brain, mixed media collage, gel pen on paper and metallic card, 148 × 210 mm

Hey Baby! colour pencil on paper, 148 × 210 mm

2011 - Can You Hear the Birds St Francis?

A video and performance installation response to the LFTT (Legs Foundation for the Translation of Things) the mobile library project spearheaded by artist Helen Horgan.

2011 Performance Props - Bird Legs and 17th Century Bibles, 210 × 297 mm

2011 Stomp, drypoint print on Fabriano, 148 × 210 mm

2011 Bone Head, drypoint print on Fabriano, 148 × 210 mm

2011 Chakra Dance, Spin I, video still print on photo paper210 × 297 mm

2011 Can you hear the birds, St Francis? Performance with video projection, bird legs and books

2011 Auld Bird II, pencil and fluorescent marker on paper, 210 × 297 mm

2011 Grounding, pencil and fluorescent marker on paper, 210 × 297 mm

2011 Auld Bird I, pencil and fluorescent marker on paper, 210 × 297 mm

2010 - The Turning Point Exhibition at Droichead Arts Centre

In an attempt to capture time, 4 Measures was exhibited as part of ‘The Turning Point’ my first solo show at Droichead Arts Centre in 2010. The work explored chakra energy and the relationship nature has with the invisible forces of air, gravity and time.

2009 - 4 Measures

In an attempt to capture time and explore the weight of experience through size, 4 Measures was exhibited as part of ‘The Turning Point’ show at Droichead Arts Centre in 2010.

2009- 4 Measures, small looped projection, 4 x 20x40mm glass jars, glass shelf

2009 The Turning Point

This artwork was a response to loss in early adulthood.

2009- The Turning Point at the Friary at Multifarnham, Westmeath. installation view.

2009 The Turning Point - Holographic Ring in adapted seat

2007 Landscape in the Quay of Chance

One of my earliest explorations into video, sound and installation. The sound was composed in accordance with the points where the google map-lines intersected music notation, played and recorded by the artist on an old piano, the music was developed into a wider score by pianist John Murphy. The work was a conversation between the sound and the visual and both informed each other. Exhibited as part of ‘One in Ten’ group exhibition at Broadstone Studios, Dublin.

For full video on Youtube: Landscape in the Quay of Chance